Both Michael Roseberry and Bruce Winn bring a unique frame of reference to the work.

pottery tile
   
Cups Tile Installation
latte mug tile installation gallery
cafe cup tile sample boards
cup & saucer 4" x 4" Tiles
tumbler arrow radial
teapot box radial
pitcher cross radial
Plates folded square
dinner plate indian radial
salad plate leaf radial
saucer meadow
Bowls paisley
soup bowl petal
dip/hors d'oeuvre bowl squared-eights
chip & dip set waves
heart hostess bowl 2" x 2" Tiles
Vases folded square
meadow bottle vase heart
meadow stem vase leaf
meadow bud vase meadow
tall bud vase petal
full bud vase wave
column vase Accent Tiles
full vase diagonal accent
tall vase cap moulding
heart bud vase half round, 1/2"
Cachepots half round, 1"
petite cachepot Field Tiles
small cachepot 4" x 4" field
large cachepot 2" x 2" field
Candlesticks 3" x 6" field
leaf candlestick 2" x 4" field
Lamps  
spiral lamp  
meadow lamp  
paisley lamp  
Accents  
tile clock  
meadow trivet  
Collector Tiles  
great blue heron  
common blue violet  
oak & holly  
sakonnet lighthouse  
sea shells of NE  
RI red rooster  

Michael Roseberry comes from the plains of West Texas and started his academic career as a student of botany, studying the forms and patterns of nature. He then shifted his focus to the study of French and went on to complete Masters degrees in French language and French culture. As a constant, he studied ceramics in the background, developing skills and a sense of aesthetics, as well as learning the technical and chemical nature of ceramics. Post¬graduate study in France allowed Michael to further synthesize a broad network of ideas and images into a personal esthetic that continues to resonate in the work he currently designs.

After seeing a pottery demonstration at the age of six, Bruce Winn knew that he wanted to be a potter, and has never wavered from that goal. After undergraduate work at Boston University, he completed an MFA at Cranbrook Academy of Art in Bloomfield Hills, MI. His individual work appears in the collections of the Boston Museum of Fine Arts, The Royal Palace, Stockholm, Sweden, The Alfred University Museum, The Cranbrook Academy of Arts Museum as well as many private collections. He is also a teacher of ceramics, having filled positions at Bennington College in Vermont, City College of New York (CUNY) and the Parsons School of Design. Currently he teaches at the Rhode Island School of Design and gives workshops and lectures nationwide.